The announcement was made during a vibrant grand finale concert held at the National Theatre in Lagos, where the selected participants wrapped up a week-long creative bootcamp that ran from April 22 to 26, 2026. The programme brought together 120 emerging singers, songwriters, producers, and music professionals, all competing and collaborating across different aspects of music creation.

Designed in partnership with Berklee College of Music, the initiative blended workshops, mentorship sessions, and live collaborations covering performance, songwriting, production, and the business side of music. Faculty members from Berklee—spanning ensembles, percussion, voice, and global music studies—were directly involved in guiding the participants through the process.

The finale itself was nothing short of a showcase. Hosted by Darey Art Alade and Kie Kie, the concert featured live band performances cutting across Afrobeats, R&B, hip-hop, gospel, jazz, and fusion. Highlights of the night included creative renditions of classics like Killing Me Softly and Papaoutai, alongside Afrobeats favourites such as Ayra Starr’s Bloody Samaritan. Guest appearances from groups like Loud Choir and singer Teni added even more energy to the closing showcase.

Speaking at the event, Tiwa Savage described the moment as both emotional and historic, emphasizing the foundation’s mission to bridge the gap between Nigerian talent and world-class music education.

“Seeing these young musicians take the stage at the National Theatre was a deeply emotional and proud moment for me. When we started the Tiwa Savage Music Foundation, the goal was to bring the world’s highest standards of music education home to Nigeria, and seeing 18 of our students receive life-changing scholarships to Berklee in Boston is proof that our talent is truly global. This is only the beginning of our mission to ensure that African creatives have the tools, the structure, and the platform to lead the world stage.”

Representing Berklee, Dean of Admissions Damien Bracken also praised the programme, noting how it encouraged collaboration and long-term artistic growth among participants.

The training was led by a team of Berklee faculty, including Dennis Montgomery, Yoron Israel, Tyrone Chase, Nichelle Mungo, Anthony Nembhard, and Jason Camelio, who oversees global programmes and partnerships.

With industry figures in attendance and 18 scholarships secured, the initiative has now positioned itself as a powerful bridge between Nigerian talent and global music education—one that could shape the next generation of African creatives on an international scale.

 

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The drama initially picked up after DJ Tunez, who works closely with Wizkid, posted a gym photo of Wizkid with the caption “Original, no be fake,” a line many interpreted as a subtle jab at Davido following comparisons between their outfits.

Davido didn’t take it lightly. The Afrobeats star fired back on X with a series of posts aimed at DJ Tunez, referencing a past altercation involving Burna Boy and his team, while also lacing his replies with heavy criticism.

“You’re just a disgusting nasty fellow. Dem use boot carry your steeze forever. Idiot.”

 

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As the exchange gained traction, T-Dot stepped in to defend DJ Tunez, pushing back against narratives that he had been “humiliated” in the earlier incident. According to him, the DJ showed bravery despite being outnumbered.

“Tunez can never lose his steeze for that. He was 1vs10 and punched your besty right in the mouth when he saw they meant him harm. Where I’m from that shows heart. You never stood no where on this earth 10 toes down without your dad’s money, security, and your boys.”

That comment appeared to strike a nerve, with Davido responding by rejecting the recurring claim that his success is tied solely to his father’s wealth.

“Your daddy your daddy nah only thing Una know … why ur papa no hustle … shut up n slide for Tunez.”

Your daddy your daddy nah only thing Una know … why ur papa no hustle … shut up n slide for TUNEZ https://t.co/CuImdfIvml

— Davido (@davido) April 30, 2026

He further added:

“Na frustration you see inherit from your papa e reach to dey vex,” Davido wrote.

The back-and-forth has since intensified conversations on social media, with fans on both sides weighing in as the online rivalry continues to unfold in real time.

Na frustration you see inherit from your papa e reach to dey vex 😂😂😂😂😂😂😂 https://t.co/CuImdfIvml

— Davido (@davido) April 30, 2026

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Speaking during an interview with The Shade Room, the 53-year-old artist reflected on his earlier lifestyle, explaining that he once found life more manageable when he was involved with multiple partners.

Known for previously expressing support for polygamy, Akon suggested that his personal experience has shaped that perspective over time.

“My life was a lot easier when I had multiple women surrounding me. It is a lot harder with just one woman”, he said.

The comment comes months after his wife of 28 years, Tomeka Thiam, reportedly filed for divorce citing irreconcilable differences—a development that has since brought renewed attention to his personal life.

Now, Akon’s remarks add another layer to ongoing public discussions about relationships, commitment, and the complexities of long-term partnerships, especially under the spotlight of fame.

 

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The tension unfolded on X (formerly Twitter) on April 29, 2026, after DJ Tunez appeared to throw subtle shade at Davido. In a post, he shared a photo of Wizkid in a gym outfit, praising it while indirectly mocking Davido’s own look.

“Original, No be chinaaaa! 🤭♥️🎾.”

Original, No be chinaaaa! 🤭♥️🎾 pic.twitter.com/iQSBErGaYl

— DJ TUNEZ (@DJ_TUNEZ) April 29, 2026

That jab didn’t go unnoticed. Davido, clearly unimpressed, fired back with a series of blunt and emotionally charged tweets aimed at DJ Tunez, escalating the situation quickly.

“Until u collect again.”

“STEEZE GONE FOREVER”.

“LEAVE ME ALONE”

“Ur just a disgusting nasty fellow … DEM USE BOOT CARRY UR STEEZE FOREVER .. idiot”

“E wa woo ! look he’s on the floor 😭🥾.”

“And stop sending nudes to females ! U know wat am talkin about !!! Fuck nigga ! I will destroy u 🤮🤮.”

“:WE GO HUMBLE UR MADNESS WEY U THINK SAY U CARRY.”

 

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Beyond the insults, Davido referenced a past incident involving Burna Boy and his crew, suggesting DJ Tunez had previously been assaulted—adding another layer of intensity to the exchange.

The online clash has since stirred reactions across social media, with fans from both camps weighing in. What started as a subtle jab over a gym outfit quickly spiralled into a full-blown public confrontation, once again highlighting the long-standing tension that occasionally surfaces between circles linked to Davido and Wizkid.

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After weeks of anticipation, fans now have a clearer picture of what to expect from one of the year’s most talked-about releases.

The 13-track album leans into Asake’s signature mix of Afrobeats, street-hop grit, and melodic storytelling while subtly stretching into new territories through a handful of carefully chosen collaborations.

Among the highlights is Worship, which features DJ Snake, a link-up that blends Asake’s vibrant, chant-like energy with global dance influences. On Badman Gangsta, French star Tiakola steps in, adding a distinct European urban edge to the project’s sonic palette.

Then there’s Asambe, featuring Kabza De Small, a collaboration already stirring conversation, with many expecting an amapiano-infused standout moment.

The official M$NEY tracklist reads

• Intro
• Worship (feat. DJ Snake)
• Gratitude
• Rora
• Amen
• Wa
• MCBH
• Why Love
• Forgiveness
• Oba
• Badman Gangsta (feat. Tiakola)
• Asambe (feat. Kabza De Small)
• Skilful

Interestingly, with just three guest appearances, Asake keeps the core of the album firmly centered on himself. It’s a move that suggests confidence, letting his artistry drive the narrative while using collaborations to widen the project’s global appeal rather than define it.

As the countdown begins, M$NEY is already shaping up to be another major step in Asake’s journey—one that could further cement his place at the forefront of the evolving Afrobeats sound.

 

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ZinoPeeBoss steps forward with his EP Lust and Loyalty, a 6-track Afro-fusion project that feels honest, emotional, and easy to connect with.

This is not just music made for dancing; it is music that comes from real life. Every song on the EP is based on things he has actually experienced, especially when it comes to love, trust, and personal growth.

For a young listener, the message is simple: life is not always smooth, especially in relationships. Sometimes there is love, sometimes there is pain, and sometimes you learn lessons the hard way. ZinoPeeBoss takes all of these moments and turns them into songs that are both meaningful and enjoyable on the “Lust and Loyalty EP.“

• From “Lotto” to “My Queen”: A Full Journey

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In a category packed with strong contenders like Gunna, Rema, Fridayy, and Tyla, the win further reinforces his standing as one of Africa’s most impactful global exports.

More than just another award, the moment speaks to Davido’s staying power in a fast-moving industry. While newer acts continue to dominate charts and shape fresh sounds, he has managed to remain a constant force balancing evolution with consistency.

His ability to fuse Afrobeats with elements of pop and hip-hop has not only kept his music relevant but also played a role in expanding the genre’s global reach.

Beyond streaming numbers and chart positions, the recognition also highlights the strength of his fanbase and cultural influence. From commanding stages on international tours to securing high-profile collaborations, Davido continues to sit at the center of Afrobeats’ global conversation.

At this point in his career, moments like this feel less like surprises and more like extensions of a legacy still being actively written.

 

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The forthcoming EP is expected to house five tracks and comes right on the momentum of their already buzzing lead single, Back Outside, which dropped in April and quickly caught the attention of fans.

With Sarz’s polished, forward-thinking production and BNXN’s smooth, emotionally rich vocals, there’s a growing sense that this project could land as a strong statement moment for both acts.

For Sarz, this isn’t unfamiliar territory. Over the years, he has built a reputation for crafting intentional joint projects that stretch sound and creativity.

From I Love Girls With Trobul with Wurld to LV N ATTN alongside Lojay and Sweetness with Obongjayar, his collaborative runs have consistently delivered fresh perspectives within the Afrobeats space.

On the other side, BNXN continues to show a knack for reinvention and strategic partnerships. His catalogue reflects a willingness to explore different sounds and formats, including his 2024 joint effort with Ruger, which produced fan favourites like Bae Bae, Ilashe, POE, and Romeo Must Die (RMD).

With The Game Needs Us, both artists appear to be aligning their strengths at just the right moment. The early signs point to a concise but impactful body of work—one that could easily extend their streak of standout collaborations while reinforcing their place in shaping the current soundscape.

 

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While discussing the vision driving her latest initiative, the award-winning singer explained that her focus goes beyond spotlighting emerging talent. Instead, she wants to build a stronger foundation for the people who will ultimately shape the future of the industry, those working behind the scenes as well as those on stage.

At 46, Tiwa reflected on her own journey, acknowledging that although music transformed her life, raw talent alone is rarely enough to guarantee long-term success in an industry where access and structure often determine outcomes.

She put it this way:

“Music changed my life but talent alone isn’t enough especially when access is limited. I want to open people’s eyes to the full scope of what’s possible in music. I don’t just want to launch artists; I want to build leaders, producers, executives and owners who will shape the future of the music industry. Our alumni will become film composers, label executives and mentors who reinvest in the next generation. If a young musician from a small neighbourhood can say the foundation changed their life, then we’ve achieved something meaningful,” Savage said

Her message paints a bigger picture, one where success in music isn’t just about becoming a star but about creating systems that allow others to rise, too.

For Tiwa Savage, the goal is clear: build something that lasts, empowers, and eventually feeds back into the next generation of creatives.

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During a recent appearance on the Keeping It Real With Jima podcast, the Mavin Records boss opened up about the emotional balance that comes with being well-known.

While he acknowledged that fame naturally comes with its own set of challenges, he explained that he rarely voices complaints because of a deep awareness of how quickly circumstances can change.

Don Jazzy was candid about the fact that, like anyone, there are moments when he wishes certain things were different. However, he made it clear that he doesn’t dwell on those feelings or actively seek change in his current situation.

Responding to a question about whether success has given him anything he didn’t want, he said:

“What’s something success gave you that you actually didn’t want?”

“I like everything that God gave me. Obviously, there are sometimes that you just wish that somethings were different. But I’m not wishing for anything different, I’m just saying before God will now decide to adjust my life.”

His remarks reflect a grounded perspective, one shaped by years in the industry and a deep appreciation for the life he has built. Rather than focusing on discomforts that come with fame, Don Jazzy leans toward gratitude, accepting both the highs and the inevitable pressures that come with being one of Africa’s most influential music figures.

JIMA: What’s something success gave you that you actually didn’t want?

DON JAZZY: pic.twitter.com/U1IwZJXyoV

— @𝗼𝗻𝗲𝗷𝗼𝗯𝗹𝗲𝘀𝘀𝗯𝗼𝘆 (@OneJoblessBoy) April 24, 2026

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Rather than leaning into the usual uptempo, club-ready formula, the duo chooses a softer, more thoughtful lane, delivering a mid-tempo, guitar-driven record that gives their voices space to breathe and carry emotion in a more deliberate way.

From the onset, Zion feels less like a party record and more like a quiet conversation between two artists who understand the weight of their journeys.

The songwriting stands out for its sincerity, as both Teni and Olamide reflect on success, survival, and the unseen guidance they hope to carry as they move forward. It’s the kind of track that slows things down and invites listeners to actually sit with the message rather than just vibe to the rhythm.

Teni brings her signature soulful power into the mix—warm, expressive, and full of feeling—while Olamide balances her energy with his calm, almost meditative rap delivery.

Their contrast works in a natural, unforced way, shaped by years of mutual respect and shared storytelling instincts. Together, they find a sweet spot between street wisdom and emotional depth, making the collaboration feel grounded and intentional.

Supporting the release is a simple but effective lyric video that puts the focus squarely on the message behind the music.

On social platforms, listeners have been quick to highlight the depth of the record, describing it as something that feels distinctly African in its emotion and storytelling approach.

In the end, Zion stands as a reminder that both artists are more than capable of stepping outside the expected. It’s a stripped-back, thoughtful moment in their catalogues—one that highlights growth, versatility, and the quiet strength of two voices that continue to shape Afrobeats in their own way.

Listen to “Zion” HERE

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Dropped under Dangbana Republik Records and EMPIRE, the single arrives as another step in his growing catalog, building on the momentum of his 2025 debut album, Catharsis, where he first fully introduced his sound to a wider audience.

This new track sits comfortably in the heart of modern Lagos energy, bright, rhythmic, and built for movement. It’s driven by a lively, percussion-heavy foundation that instantly sets the tone for celebration.

The production team of Magicsticks, Dave Nunes, and Puffys layer the record with crisp drum patterns and shimmering synth textures, giving it a polished, high-quality finish that still feels rooted in street-level groove.

FOLA himself moves through the record with noticeable ease. One moment he’s floating on smooth melodies, the next he’s slipping into tighter, more rhythmic phrasing that keeps the energy constantly shifting. That balance between softness and bounce is what gives fine ting (fine $hit) its replay value; it never sits still long enough to feel predictable.

At its core, the song is a lighthearted celebration of beauty, confidence, and admiration, wrapped in a sound that feels tailor-made for sunny days and loud speakers.

It’s catchy without trying too hard, the kind of record that naturally finds its way into playlists and social media moments.

Already gaining traction across major editorial playlists, the release further reinforces the belief that FOLA is on a steady upward curve. As he continues building under the Dangbana Republik umbrella, fine ting (fine $hit) feels like a confident, feel-good statement, one that shows he’s not just participating in the Afrobeats wave, but slowly carving out his own lane within it.

Listen to “fine ting (fine $hit)” HERE

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